Patch in isolated splits straight from their stage snake and back in to the same place with the fan tail. Then let other bands use our kit or clear whole stage before and after. Run all of our own mics, including drums and hand them a labeled fan tail with 16 channels. What would be the least imposing way to ask for this when they don’t have a designated split? (if needed) Y xlr splitters and all of our own iem set ups. I travel with 16 isolated splits, labeled fan tail, my own mics/D.I. The goal is to take everything possible into my rig to run our own ears each(minus horns) with xair and maybe get some multitracking here and there. I’m running an xr18 using 16 inputs most of the time with keys, gtr, bass, horns, drums and vocals. I just want to be as little annoyance as possible, by not putting a bunch of work on the engineer. Other times, they don’t and there’s other bands sharing or not sharing drums, moving mics, chaos on the fly at festivals. Sometimes they have a split tail already patched and I can take all 16 of our inputs, give or take an OH or 2. In other words, trying not to piss off the sound guy by being a sound guy in a band. Trying to harness an IEM set up for touring that’s as easy as possible on engineers at various venues. Hey guys, wanted to ask y’alls opinion on this.
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